Obscure Comic of the Month
takes a detailed look at a little known entry from my personal comic
book collection. Some will be from major publishers, others self
published projects, Original Graphic Novels, issues and Manga. What
they'll all have in common though, is that I've rarely, if ever, seen
anybody talk about them.
The Illustrated Guide to the
Elements: Volume 1 by Jenna Whyte – 2012
The Illustrated Guide to the
Elements is not, technically an obscure comic. Okay, it isn't a comic
full stop, but you know what? It's got words and pictures and I want
to talk about it. This is my column and I can break the rules if I
want to.
The conceit behind Jenna
Whyte's Guide to the Elements is a fairly straightforward one, but
it's also sort of brilliant. Take the periodic table, reinterpret the
elements as 'emotionally dangerous' women and write the guide in the
style of a psudo-Victorian/steampunk psychological study, with some
beautiful, period appropriate illustrations to go along with it.
What really makes Whyte's
book interesting is that it has things to say both scientifically and
socially. The scientific side is fairly obvious, re-framing elemental
properties as personality quirks makes reading about the elements
both fun and memorable. Seriously, Whyte's book would probably come
in handy if you're a high school chemistry teacher and want to get a
bunch of goth kids interested in the difference between H20 and H202.
But what the book also does,
through the way it looks at it's elements-as-characters, is also
remind us how oppressive the nineteenth century was to those who
found it difficult to fit into society, especially difficult women.
The steampunk genre loves to mine the trappings of the Victorian era
while often having very little to say about the period it cribs from.
Whyte's book is a deconstruction of sorts, and hearing tales of
Lithium being attended constantly by psychiatrists and Flourine's
varied escape attempts from 'The Asylum for Electron Challenged
Elements' are as sobering as they are informative.
The book tells us, in great
detail, the tales of criminals and social climbers, spurned lovers
and deadly killers. But it uses the elemental system to give the
impression that it is society that made them that way.
There's an intense streak of
black comedy that keeps Whyte's book from being truly grim however,
and the book is chock full of characters straight of out the era's
penny dreadfuls. Poisoners are common in Volume 1. Compulsively, like
Thallium, or by trade, like Bismuth. Whyte doesn't shy away from
telling us, in grizzly detail, what fates would befall us should we
ever encounter the wrong end of these troubling elements.
Whyte's art, of course, is
the true star of the show, having a real flair for capturing the
vitality of period dress, without going too overboard on the
steampunk influences. It's got a taste of Lewis Caroll without
falling into Tim Burton. There are finely dressed women, and sultry
dressed women, posh nobles and deranged convicts, each rendered in a
grimy watercolour style that manages to be both elegant and decadent.
The writing and the art goes hand in glove.
Still, there's room for
improvement. Whyte's writing is very evocative, but at times certain
entries can drag on a little too long filling up far too much of the
page with information. At the same time some entries are woefully
short, feeling a little underwritten and sparse. Whyte is clearly
well versed in the science behind the book, so she probably gave
serious consideration on what to include and what to pass on, but at
times the book feels unbalanced, and it's hard not to notice that.
There's also handful of
typos but that's part and parcel when it comes to self-publishing, so
I'm not going to fault her on that.
Another issue I have is that
given that the book has such a grand collection of characters, it
unfortunately buys in to Victorian myth of England's whiteness. There
are a couple of characters who are vaguely Asian looking, but by and
large it's a collection of mostly white folks here. This feels like a
missed opportunity and a disservice to Whyte's own artwork, and I
feel the book could have been even more interesting with a more
racially diverse cast mirroring the diversity of the elements they
are based on.
Still, there's Volume 2 that
I'm long overdue in checking out, so maybe these criticisms have
already been resolved, and Whyte is still producing artwork that's well worth checking out, so here's looking forward to what comes in
the future.
Jack
Harvey 2016. The Illustrated Guide to the Elements (c) Jenna Whyte.
Images used under fair use.
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